The album reached number 2 in the United Kingdom (and was the 4th best-selling album of 1976). The introduction, " Let 'Em In" was perceived as an invitation to join the McCartneys on this fantasy day, with explanation of their philosophy (" Silly Love Songs"), a lunch break (" Cook of the House"), and a chance to get to know McCartney's friends (Denny Laine in "The Note You Never Wrote", Jimmy McCulloch in "Wino Junko", etc.). Rolling Stone 's reviewer described it as a "Day with the McCartneys" concept album. Wings at the Speed of Sound was released in late March 1976 to lukewarm critical reviews. Release and reception Professional ratings Review scores In "Cook of the House", McCartney handled double-bass, while "Silly Love Songs" was arranged in a disco-style, in a similar fashion to Al Green's "Sha La La". During the playback of "Must Do Something About It", Paul heard drummer Joe English sing the song and decided to have him take the lead vocal. The album was recorded at Abbey Road in two different periods of sessions: first sessions took place in August/September and October 1975, with work resuming in January–February 1976. Two tracks ("The Note You Never Wrote" and "Warm and Beautiful") were arranged by Fiachra Trench. Įngineer Peter Henderson later commented, "I remember one of my first engineering jobs, working with Paul McCartney on Wings at the Speed of Sound - he'd do two vocal takes and ask, 'Which is the better one?' And when he played guitar, he'd really lean into it and give it everything he got." McCartney had previously attempted to create a democratic album in Red Rose Speedway, though it would be rejected by his record label. He encouraged each of the band members to contribute a song during the sessions. By the end of February, the album was complete, and Wings went back on the road.Īround the time of the studio sessions for Wings at the Speed of Sound, Wings were facing criticism for being merely a vehicle for McCartney. Because of the tour commitments, Wings were not afforded the opportunity to record in another locale. It was the first time McCartney had fully recorded an album in England since Red Rose Speedway. The album, after the 2010 CD version, was again remastered in 2014 with further improved audio quality.Īs a reaction to critics who believed Wings was merely a vehicle for Paul McCartney, the album featured every member of the band taking lead vocals on at least one song, and two songs from the album are written or co-written by band members other than the McCartneys.Īfter a series of concerts in Australia in November 1975, Wings took a break from the tour to spend the holidays with their families and in January 1976 booked time at Abbey Road Studios in London to record Wings at the Speed of Sound. Subsequently, performances of " Let 'Em In", "Time to Hide", 'Silly Love Songs' and " Beware My Love" were included on the live album Wings over America, released in December 1976. The album was recorded and released in the midst of Wings' highly successful Wings Over the World tour, with songs from the album performed on the tour after its release. Both singles from the album also reached the top 5 of the UK and US singles charts, with " Silly Love Songs" reaching number 1 in the US. Issued at the height of the band's popularity, it reached the top spot on the US album chart-the band's fourth consecutive album to do so-and peaked at number 2 on the UK album chart. Nevertheless, as time progresses, speed will likely continue to play an important role within society.Wings at the Speed of Sound is the fifth studio album by the British–American rock band Wings, released on 25 March 1976. This list has been a great example of how speed plays into the fast lifestyle, as well as the detriment that moving too fast can have. It is somewhat amusing how one word in the English language can have so many different meanings and be used in a variety of different ways to convey different messages. These are folks that like to chase the next thrill, no matter what the cost. The lyrics are all about two people who enjoy each other, but perhaps enjoy the extracurricular activities that come with a fast lifestyle a bit more. The band really captured what it is like to live the fast rock ‘n roll lifestyle with this song. No doubt, this song is instantly recognizable with its opening guitar riff which gets doubled with an additional harmonic guitar riff, before exploding into the song that it is. Life In The Fast Lane is a true classic that spawned during the heyday of 1970s rock ‘n roll.
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